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Journal · Voice coach

Why a voice saying “Iconic.” makes you take better photos

Solo shoots are quiet. Too quiet. Here’s what changes when your phone starts talking back.

SHOOTS camera mid-shoot on a beach, 12 of 25 photos taken, a woman in a striped jumpsuit crouching to draw a heart in the sand
Twelve of twenty-five. Somebody told her to crouch down low.

Here's what nobody tells you about photographing yourself: it's silent. With a photographer, there's a running commentary. "Good. Chin down. Now look at me. Yes, that." On a self-timer, the only voice is the one in your head, and it is not saying "gorgeous". It's saying "is my arm weird", "is it even taking photos", "is that man watching me". You can see it in the frames: shoulders up, a smile held one beat too long, the same face twenty-five times.

That silence is the reason SHOOTS talks. Its voice does the job a photographer's chatter does: it fills the quiet, it keeps you moving and, every so often, it makes you laugh at exactly the right moment.

What a photographer's chatter actually does

We're not going to dress this up as science. There's no study in this article, just what you notice after a few shoots with and without a voice in your ear.

  • It gives you something to react to. A reaction is a real expression. A held pose is a held pose. Hearing "Okay, stop it, that's unreal!" from your own phone produces a face no amount of planning can.
  • It breaks the loop in your head. It's hard to worry about your arm while someone is calling you Hollywood. Attention goes outward, and outward attention looks relaxed on camera.
  • It keeps the rhythm. Each line is a small nudge: new pose, new angle, keep going. The shoot stops feeling like a test you're failing in silence.
  • It's funny. Being told "Somebody call Vogue, right now!" while you're alone at a wall is objectively absurd. You laugh, your face softens, and the camera happens to be firing. That frame is often the keeper.
  • It tells you what's happening. When the phone is ten steps away, you can't see the screen. A voice that says the shoot has started, and that it's done, means you stop squinting at the phone and start posing.
You can't hold a stiff face while your phone calls you Hollywood. We've tried.

What the SHOOTS voice says

The voice comes in two parts, and you switch them separately in the camera's Sound sheet (the speaker button at the top of the viewfinder): Announcements and Talk to me.

Announcements (free)

For when you're away from the phone. The voice tells you "Here we go — the photoshoot is starting." and, at the end, "That's a wrap! Your photoshoot is done." In between, it speaks up if the battery, storage or heat need attention, so you hear about it when a long shoot needs you, instead of finding out afterward.

Talk to me (SHOOTS+)

A photographer's voice for the whole shoot. Under Coaching you pick what it does: Compliments, Pose coach or Both.

Compliments are the hype crew. A shoot opens with a kickoff line ("Here we go! Time to shine!" or "Okay, superstar, let's make some magic!"), then compliments keep coming now and then while photos are taken, shuffled so you don't hear the same one again right away. There are 60 of them. A few favorites from the set:

  • "Okay, that one's going on the cover."
  • "Honestly? Iconic."
  • "You've got main character energy!"
  • "Okay, Hollywood, I see you!"
  • "Every angle is your good angle."
  • "This is your runway, own it!"
  • "Chin up, shoulders back... perfect!"
  • "Hold it, hold it... got it!"

Pose coach is the director. Between shots it calls your next pose, picked for how the camera sees you: face-and-shoulders cues up close ("Rest your chin on your hand.", "Smile with just your eyes."), full-body cues when your legs are in the picture ("Now walk toward me.", "Give me a spin!"), and "Step into the frame so I can see you." when you've wandered off. Each pose holds for a couple of shots, and none comes back soon. The whole story is in Never run out of poses.

Both calls your next pose between shots and cheers you on in between. Tap to listen:

Talk to me stays quiet in the modes that record video (Video, Cinematic and the + Video modes), so the voice doesn't end up in your clips. The same switch and the Coaching choice are also in Settings → Feedback.

A hype crew in your pocket: spoken compliments while you pose (SHOOTS+).
A hype crew in your pocket: spoken compliments while you pose (SHOOTS+).

How to get the most out of it

  1. Turn it up. Outdoors, wind and traffic eat a quiet voice. The Voice volume slider sits right under the switches in the Sound sheet. And check the Silent switch: with Silent Mode on, SHOOTS stays quiet (it tells you so).
  2. Pick a rhythm that leaves room to react. A photo every 1 to 3 seconds works best: there's always a frame coming right after a line lands. The 10-minute solo photoshoot has the exact settings.
  3. Want direction, not just applause? Choose Pose coach or Both. The cues land right after a shot, so the whole interval is yours to move into the pose. On Compliments alone, treat the lines as accidental direction: when it says "Chin up, shoulders back", do it. Either way, pair it with 12 poses that work on a self-timer.
  4. React out loud. Answer back. Laugh. Say "thank you, I know". Nobody else is there, which is the whole point.
  5. Go full red carpet. Add the Paparazzi shutter sound (Settings → Feedback → Shutter click): your click, plus photographers around you firing too. With a flash and a voice yelling "Okay, Hollywood, I see you!", the scene builds itself. The full night look is in Be your own paparazzi.

Isn't it a bit much?

Yes. That's the feature. The lines are written to be over the top, and nobody actually believes their phone is about to ring a magazine. That's exactly why it's easy to take: you're not being judged, you're being cheered, and cheering is easy to laugh at. The awkwardness of posing alone has to go somewhere. Better it goes into a laugh than into your shoulders.

If it's not for you, it switches off. Some people keep only the announcements for the practical part, or turn on the Beep shutter sound instead (one beep the moment each photo is taken) and shoot in near silence. Everything in the Sound sheet is optional.

The recorded voice is English. SHOOTS itself comes in 11 languages, and with the app in another language, the iPhone's own most natural voice for that language reads the lines instead. The lines are built into the app, so it works offline. Pose coach decides close-up or full body by looking at camera frames on the device, and SHOOTS has no account, no ads and no tracking: nothing you shoot is uploaded anywhere.

What's free, what's SHOOTS+

Announcements, countdown beeps and all five shutter sounds are free. Talk to me (Pose coach and compliments) is part of SHOOTS+, an optional upgrade; see the App Store for details. If you're curious why the app talks at all, that story is in Why I built SHOOTS. And for the basics of shooting yourself (prop, frame, set, pose, pick), start with how to take good photos of yourself alone.

Questions people ask

Does SHOOTS talk during a photoshoot?
Yes, if you want it to. Announcements (free) say when the shoot starts and ends and warn you about battery, storage or heat. With SHOOTS+, Talk to me adds a photographer’s voice: choose Compliments, Pose coach (your next pose, called between shots) or Both. Announcements and Talk to me are separate switches in the camera’s Sound sheet, with a voice volume slider.
Can I turn the voice off?
Yes. Talk to me and Announcements are separate switches, and countdown beeps and the shutter sound can be turned off too. Sounds also follow the Silent switch, and SHOOTS tells you when Silent Mode is on. In regions where the iPhone always plays its own shutter click, that click still plays.
What language is the SHOOTS voice in?
The recorded voice is English. The app itself comes in 11 languages, and when it’s set to another language, the iPhone’s most natural installed voice for that language speaks the lines. The lines are built into the app, so the voice works without an internet connection.

Gül Eda Aydemir is the independent iOS developer behind SHOOTS, DUMP and Solo.Swipe. She designs, builds and answers support for every app herself. Say hi at solostaseraofficial@gmail.com.

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